The Pod and the Pendulum

Note to the listeners: Due to some computer snafus onMike’s end, the first five minutes of this episode are lost. We join this one as it is already in progress. This week, Mike and Ariel are on hand to talk Wishmaster 3Beyond the Gates of Hell. While we were warned we might experience something on par with the lows of the worst Wrong Turn franchise, this one is, just sort of there. It’s not the worst thing we’ve ever watched, but it isn’t all thatmemorable either. What is memorable is the mid-episode existential crisis Mike has as he ponders whether eternity would ever get boring, or if there is capitalism in the Afterlife, and if so, does Jesus make people toil in factoriesputting little screws into “Footprints” framed posters? We do talk about the movie a bit, and whether this is the same Djinn as the same movie, ponder why the Djinn doesn’t act a little nicer when granting wishes in order to get the prophecyto come true, and wonder if Angels would ride public transportation. Good times. Mike also makes the argument again that Wishmaster 2 laid the groundwork for the landmark Supreme Court case of Citizens United. All that, plus a little bit of Buffy talk.

This week Mike and Devaughn are joined by guest Matt Konopka (Killer Horror Critic) for a boys night on the town. Along with our fun-loving, wish-granting Djinn, we're hitting our two favorite hotspots the casino, and jail! Join us for a spirited discussion on how this straight to video sequel might be responsible for the downfall of American democracy, why the Djinn should just follow every good grandma's plan of "you catch more flies with honey than vinegar," and how Mike discovered that goth/punk art thieves that are deadly with a pistol are the kind of lady that leave him weak in the knees.

This week we're making dreams come true with 1997's throwback creature feature WISHMASTER. Featuring a who's who of horror both in front and behind the camera, the birth of the Djinn makes for a fun romp in the vein of not only 80s splatter horror, but also the classic Universal Monsters of yore. With FX from KNB and appearances from Robert Englund, Tony Todd, Kane Hodder, Reggie Bannister, Ted Raimi, the voice of Angus Scrimm along with an executive production credit by Wes Craven, this is a Dream Team of creatives for a B-movie. Mike, Brian and Devaughn are joined by guest John Seavey of the Half Priced Horror podcast but be careful what you wish for, because dreams can turn to nightmares pretty quick. Also, what's with all the smoking?

In this bonus episode, Ariel interviews author Payton McCarty-Simas about their upcoming book, That Very Witch: Fear, Feminism, and the American Witch Film. The two of them discuss how witch films follow the cycles of feminism and other political movements in the US, why history matters in horror, and why Heather in The Blair Witch Project did nothing wrong. Preorder "That Very Witch: Fear, Feminism, and the American Witch Film" here.Follow Payton on Instagram @paytplace .Add The Devonsville Terror to your watch list.

Let's do what all shows love to do: rank things! Mike, Ari, and Devaughn have counted the votes and we're here to put the Wrong Turn series in proper order.

Mike and Devaughn are joined by returning guest Kat Hughes to talk about the way better than it has any right to be reimagining of Wrong Turn. Mike would also recommend you check out Mathew Modine's other masterpiece, Vision Quest, the only movie about high school wrestling you need to see.

Mike and Ari are happy to report that Wrong Turn 6 is one of the most unabashedly horniest movies we've ever covered on the show. Eschewing the traditional hot couples hooking up, this one has more of flair for kink, sadomasochism, and voyeurism. At least, it certainly does compared to most slasher movies, let alone the sixth entry in a long running, straight to video franchise. Is it a great movie? No, but it's a hell of a fun watch marked with some truly cheeky humor, a number of spectacular kill sequences and a standout performance from Sadie Katz as the villainous Sally, it just might be our favorite of the whole series

A movie so bad it made Mike question whether he actually liked horror movies. Luckily he's joined by Ariel, Devaughn, and special guest Kinell to talk this one through.

This week we go back to the beginning with Wrong Turn 4:Bloody Beginnings, Returning guest and queen of the B-movie and culinary horrorSarah Stubbs ((Final Girls Feast) is on Mike’s side championing the merits ofthis blizzard-set, asylum located slasher. Meanwhile Devaughn has recruited firsttime guest Sean Abley (creator and co-editor of Queer Horror: A Film Guide)  to talk about why returning director Declan O’Brienjust doesn’t have the juice to make this anything more than standard direct to-videofare. With a tongue planted firmly in cheek, some forward thinking queerrepresentation, practical effects, real snow, a pretty spooky on-set location,and a show stopping human fondue gory as hell kill, at the very least BloodyBeginnings marks a solid rebound over the dreadful (in Mike’s eyes) thirdentry. If you like what you’re listening to make sure to subscribe wherever you get your podcast feeds. Please take a moment to rate and review us on the Apple Podcast app, or rate us on the Spotify app. Reviews and five star ratings help new listeners find us every day, and we greatly appreciate the feedback and support. Check out our website for easy access to our full catalog of shows, with hundreds of hours of free content. You can search the catalog, leave a review and even leave us feedback all from the site. Go to www.podandthependulum.com to check it out. If you have the means, consider becoming a patron today and support the show. Patreon members get exclusive full length episodes, audio fan commentaries, exclusive mini-sodes and more. Join today at patreon.com/podandthependulum.

This week Mike and Ariel reach the nadir of the Wrong Turn franchise, with the third entry, Left For Dead. It's the film that dares to as who one would root for in this situation: a murderous Cartel warlord, a white supremacist, or the cops? Filled with poorly rendered CGI, dodgy acting from a cast that looks like generic versions of much better performers and an overstuffed plot, this one is a tough hang. However, we made the best of it, and talked about the important issues like Stone Cold Steve Austin's filmography, and how John Cena's heel turn is going.